The photographs of Stefan Heyne are emphatically nonrepresentational. The artist omits elements that generally define a photograph, forgoing the use any identifiable motif. Instead he creates abstract photographs that are honed to perfection by paring his imagery to a blurred play of light and shadows with no indication of form.
In his series Gradients Heyne even avoids the use of soft-focus as an artistic device and emphasizes, in contrast, the high-definition reproduction of perhaps one of the purest motifs of all: the cloudless sky photographed by the artist from the window of an airplane or other suitable places. The color spectra of pure light that are revealed in these images seem blurry and out of focus, but they are not.
Heyne thus achieves the most radical degree of abstraction in his work to date. In his photographs the viewer is confronted with an endless depth of space and eternity.